Post by Helena on Aug 21, 2007 1:54:25 GMT -5
The grand ballroom was unoccupied as Helena entered. This was her favorite of all she had seen today in the splendid home of the Volturi. The reason for this was that this room reminded her most of the Opera House. If there was anything she longed for from her human past, it was the world of the Opera.
This room made her feel, if she closed her eyes, she would again hear the sounds of the high heeled evening shoes, that the great ladies wore, clacking up the stairs into the theatre, clasping their programs for tonight's performance. The sounds of the orchestra warming up, the ballet girls putting on their shoes and dipping them in chalk. The sound of her heart impatiently fluttering with nervousness, before her aria. Helena opened her eyes, The great ladies and gentlemen were not there, nor was the orchestra or the ballet girls, and neither was her heart. That had stopped beating quite some time ago. This feeling took her by surprise, it wasn't often that Helena had these nostalgic moments.
She need a distraction. An eloquent grand piano sat in the far corner of the room. The hem of her light cotton dress, flitted about her ankles as she glided toward it. This was definitely the most imposing, the most impressive, grand piano Helena had seen in a very long time.
"Der Flügel" she whispered to herself. This literally translates from German, Helena's mother tongue, as, the wing, though it also can mean a grand piano forte, which is shaped rather like a wing.
She sat at the bench, with erect posture as always, and began to play and sing. "I Puritani", had done nothing for her plot wise, but Bellini had done wonders with the music, Elvira's "Son vergin vezzosa", was one of her favorite arias. It was gentle, calming, and peacefully happy. Because of this the music relied heavily on the singer to breathe life into it, to make it her own.
The music echoed in the room, filling every corner with sound, the piano's harmony and Helena's melody, her voice sounded of the tinkling of silver bells, of pearls dropping off a satin ribbon.
This was indeed, her favorite room.
This room made her feel, if she closed her eyes, she would again hear the sounds of the high heeled evening shoes, that the great ladies wore, clacking up the stairs into the theatre, clasping their programs for tonight's performance. The sounds of the orchestra warming up, the ballet girls putting on their shoes and dipping them in chalk. The sound of her heart impatiently fluttering with nervousness, before her aria. Helena opened her eyes, The great ladies and gentlemen were not there, nor was the orchestra or the ballet girls, and neither was her heart. That had stopped beating quite some time ago. This feeling took her by surprise, it wasn't often that Helena had these nostalgic moments.
She need a distraction. An eloquent grand piano sat in the far corner of the room. The hem of her light cotton dress, flitted about her ankles as she glided toward it. This was definitely the most imposing, the most impressive, grand piano Helena had seen in a very long time.
"Der Flügel" she whispered to herself. This literally translates from German, Helena's mother tongue, as, the wing, though it also can mean a grand piano forte, which is shaped rather like a wing.
She sat at the bench, with erect posture as always, and began to play and sing. "I Puritani", had done nothing for her plot wise, but Bellini had done wonders with the music, Elvira's "Son vergin vezzosa", was one of her favorite arias. It was gentle, calming, and peacefully happy. Because of this the music relied heavily on the singer to breathe life into it, to make it her own.
The music echoed in the room, filling every corner with sound, the piano's harmony and Helena's melody, her voice sounded of the tinkling of silver bells, of pearls dropping off a satin ribbon.
This was indeed, her favorite room.